3d Design Techniques

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  • View profile for Arpan Karmakar

    Co-Founder & Creative Director at Kriate | Brand designer.

    25,590 followers

    Here's what most businesses get wrong They focus on: → Random logo design → Generic color schemes → Template websites But real branding is deeper: 1. Brand Strategy Your foundation: → Purpose (Why you exist) → Vision (Where you're going) → Values (What you believe) 2. Brand Voice How you speak: → Personality → Tone → Language style 3. Visual Identity How you look: → Logo design → Color psychology → Typography → Image style 4. Brand Experience How you deliver: → Customer service → Product Quality → User experience → Marketing Message 5. Brand Consistency How you stay memorable: → Same voice everywhere → Cohesive visuals → Unified message Branding is the process of creating a unique identity for a business, product, or individual. It includes elements like a logo, colors, messaging, and the overall experience that shapes how people perceive a brand. More than just visuals, branding is about building trust, recognition, and emotional connections with an audience. "A brand is a person's gut feeling about a product, service, or organization." - Marty Neumeier #design

  • View profile for Pascal BORNET

    #1 AI & Automation Thought Leader | Award-Winning Expert | Best-Selling Author | Recognized Keynote Speaker | Agentic AI Pioneer | Forbes Tech Council | 2M+ Followers ✔️

    1,545,080 followers

    🪄 3D printing just broke free from gravity — and it happened at Disneyland Paris. Coperni, in collaboration with Disney Research, showcased a revolutionary technique called Rapid Liquid Printing (RLP) — a gel-based 3D printing process that allows objects to form freely in liquid space. The innovation: Instead of building layer by layer, RLP prints directly inside a gel bath. The gel supports the structure as it forms, meaning objects can be “drawn” in mid-air with smooth, continuous motion. What’s new: • No gravity constraints — objects print in all directions. • No supports or post-processing needed — a simple rinse finishes the product. • Compatible with soft materials like silicone and rubber, enabling flexibility and realism. Why it matters: This breakthrough eliminates one of 3D printing’s biggest limitations — the need for support structures. It drastically speeds up production, reduces waste, and enables designs that were previously impossible. → Fashion and luxury design — complex, fluid shapes in textiles and accessories → Architecture and furniture — organic, continuous forms without assembly → Healthcare and robotics — flexible components mimicking natural motion To me, this represents the next era of creation — where 3D printing stops stacking layers and starts shaping ideas in real time. Could this be the moment 3D printing becomes as intuitive as sketching in air? #3DPrinting #Design #Manufacturing #Creativity #FutureOfWork #Engineering #ArtAndTech

  • View profile for Anilkumar Parambath, PhD

    Global R&D Manager | Chemicals, Polymers, Materials, Sustainability & Commercialization | Petronas, ex‑Unilever.

    36,528 followers

    Understanding FTIR Spectroscopy and its Applications in Polymer Science 🌟 Fourier Transform Infrared (FTIR) Spectroscopy is a versatile and powerful analytical technique widely used in various scientific fields, especially polymer science. By measuring how molecules absorb infrared radiation, FTIR helps us understand the molecular structure and chemical composition of polymers. Here’s how it works and where it excels: 🔍 How FTIR Works: FTIR measures the absorption of infrared light by different functional groups in a material, providing a molecular "fingerprint" that is unique to each polymer. With the help of a Fourier Transform algorithm, this data is processed to produce a spectrum that helps identify unknown polymers and determine their structural properties. Key Applications of FTIR in Polymer Science: Polymer Identification: FTIR can identify unknown polymer materials by comparing their spectra to reference databases, making it essential for recycling and quality control. Functional Group Characterization: FTIR is highly sensitive to specific functional groups like hydroxyl (-OH), carbonyl (-C=O), and amine (-NH2), helping us understand polymer structures and reactions. Monitoring Polymerization Reactions: Whether it’s addition or condensation polymerization, FTIR tracks chemical reactions in real-time, ensuring optimal production quality. Analyzing Polymer Blends and Composites: FTIR helps reveal how different polymers interact in blends and composites, offering insights into compatibility and filler dispersion. Crystallinity and Morphology Studies: FTIR can quantify the crystalline vs. amorphous regions of polymers, helping to determine properties like mechanical strength and durability. Degradation and Aging Studies: FTIR tracks the chemical changes during polymer degradation (oxidation, UV exposure, etc.), providing valuable information about material longevity. Curing and Crosslinking: It monitors curing processes in thermosetting polymers and elastomers, crucial for industries like automotive and electronics. Surface and Interface Analysis (ATR-FTIR): FTIR-ATR allows for surface-sensitive analysis, making it ideal for coatings, films, and studying modifications on polymer surfaces. 🌟 Why FTIR is Indispensable in Polymer Science: Non-destructive testing Real-time monitoring of processes High sensitivity to chemical changes Quantitative analysis of functional groups From research labs to industrial applications, FTIR spectroscopy provides critical insights that drive innovation in material science and polymer technology. Whether you're looking into polymer identification, degradation studies, or understanding complex polymer blends, FTIR is an essential tool for today’s material scientists. #polymerscience #FTIR #materialscience #analyticaltechniques Image credit:  © Copyright 2025, Master Organic Chemistry.

  • View profile for Pınar Özge Gezer

    Senior Architect

    3,006 followers

    Ai Architectural Explorations Viola (Day 146) Color Theory in Architecture: Bridging the Contemporary and the Historic 1. Color as a Design Language In architecture, color is not just a visual element—it’s a language that communicates mood, identity, and time. When working within heritage contexts, color choices must respect the historical palette while still expressing contemporary creativity. The image demonstrates this principle through the use of a translucent violet glass installation—a modern intervention that doesn’t clash with the warm, earthy tones of the ancient stone walls but instead enhances and reframes them. 2. Harmonizing Through Contrast and Transparency The transparent purple screen in the courtyard creates a dialogue between old and new: • Contrast: The bold, saturated color of the glass sharply contrasts the neutral stone, emphasizing the modern nature of the addition. • Transparency: Because the glass is translucent, it softens the contrast and allows the historic architecture to remain visible, never overpowering the original structure. This achieves a balance between making a contemporary statement and maintaining visual respect for the historic setting. 3. Emotional and Spatial Effects Color has psychological and spatial implications: • Violet, often associated with creativity and reflection, adds a quiet, contemplative tone to the courtyard. • It subtly delineates a new functional space within the historical shell without physical separation, using light and shadow to shape experience. 4. Material and Color Integration Modern materials like glass and acrylic allow designers to control saturation, opacity, and reflectivity. These characteristics make it possible to introduce vibrant color in a way that feels light, almost immaterial—avoiding the heaviness that bold colors could bring to a traditional stone environment. 5. A Contemporary Narrative in Historical Context Color can tell a contemporary story within an ancient framework: • It marks a shift in time and use—from fortresses and monasteries to museums, galleries, or cultural spaces. • It reflects the evolution of design values, from ornamentation to minimalism, from permanence to adaptability. #midjourney #ai #generativeai #aiartcommunity #architecture #interiordesign #aiindesign #innovativearchitecture #modernspaces #biophilicdesign #colorpsychology #colors

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  • View profile for Hamidreza Saleki

    PHD Student Marketing , Social and Communication

    1,757 followers

    Color Psychology in Hotels: The Hidden Strategy Behind Guest Experience In the hospitality industry, interior design is no longer just about aesthetics—it’s an essential part of Customer Experience Management. Among the many design elements that influence how guests feel and behave, color plays a subtle yet powerful role in shaping perception, mood, and even decision-making. Strategic use of color can create a unique identity for a hotel while enhancing guest satisfaction and emotional connection. Functional Analysis of Color in Key Hotel Spaces: • Lobby (Entrance Area): As the first point of contact, the lobby sets the tone for the entire guest experience. Neutral tones such as beige, gray, or soft white offer a sense of calm and professionalism, while accent colors that reflect the hotel’s brand identity—such as blue for trust or gold for luxury—can reinforce emotional impressions right from the start. • Guest Rooms: Cool tones like soft blue, mint green, or light gray are known to reduce stress and improve sleep quality. Studies show that the room’s color can directly impact sleep duration and comfort—critical factors in guest satisfaction and return visits. • Restaurant & Café Areas: Warm colors like red, orange, and yellow are scientifically linked to increased appetite and social engagement. However, excessive use of these tones may lead to overstimulation. A balanced combination with neutral hues and controlled lighting helps maintain comfort while encouraging longer stays. • Spa & Wellness Zones: Spaces designed for relaxation and rejuvenation benefit from earthy palettes—olive green, light brown, and oceanic blue. These tones create a connection to nature and foster feelings of balance and mental peace. Color not only influences how guests perceive a space but also affects how they behave in it. Thoughtful and strategic color selection in hotel design is a subtle investment in guest experience, brand loyalty, and long-term revenue. A hotel that understands the psychology of color doesn’t just look good—it feels good. And that feeling is what keeps guests coming back. #hotel #reception #hospitality #tourism #tourist #psychology #marketing #customer

  • View profile for Angelo R. Maligno

    Research Chair In Composite Materials at the Institute For Innovation in Sustainable Engineering (IISE)

    6,759 followers

    𝐓𝐡𝐞 𝐢𝐝𝐞𝐚 𝐨𝐟 𝟑𝐃 𝐩𝐫𝐢𝐧𝐭𝐢𝐧𝐠 𝐡𝐚𝐬 𝐣𝐮𝐬𝐭 𝐛𝐞𝐞𝐧 𝐟𝐥𝐢𝐩𝐩𝐞𝐝 𝐨𝐧 𝐢𝐭𝐬 𝐡𝐞𝐚𝐝. Instead of printing metal, a team of scientists in Switzerland grew it from a gel – and the result is 20x stronger than previous methods. Using a water-based hydrogel as a scaffold, researchers at EPFL (École Polytechnique Fédérale de Lausanne) created complex structures that can be infused with metal salts. After several rounds of soaking and heating, the gel vanishes – leaving behind dense, ultra-strong metal or ceramic. Traditional metal 3D printing often results in porous structures with serious shrinkage. This new method dramatically reduces those flaws, producing durable, precisely shaped components with only 20% shrinkage. It also opens the door to building with a wide range of materials – the same gel template can be used to grow iron, silver, copper, or even advanced composites. The technique could revolutionize how we make complex, high-performance parts for energy systems, biomedical devices, and next-gen electronics. It’s also a shift in mindset: rather than designing around the limits of printing materials, this approach lets researchers build first, and choose the material later. The team is already working on automating the process, aiming to bring this breakthrough into real-world manufacturing. Read the study "𝐻𝑦𝑑𝑟𝑜𝑔𝑒𝑙‐𝐵𝑎𝑠𝑒𝑑 𝑉𝑎𝑡 𝑃ℎ𝑜𝑡𝑜𝑝𝑜𝑙𝑦𝑚𝑒𝑟𝑖𝑧𝑎𝑡𝑖𝑜𝑛 𝑜𝑓 𝐶𝑒𝑟𝑎𝑚𝑖𝑐𝑠 𝑎𝑛𝑑 𝑀𝑒𝑡𝑎𝑙𝑠 𝑤𝑖𝑡ℎ 𝐿𝑜𝑤 𝑆ℎ𝑟𝑖𝑛𝑘𝑎𝑔𝑒𝑠 𝑣𝑖𝑎 𝑅𝑒𝑝𝑒𝑎𝑡𝑒𝑑 𝐼𝑛𝑓𝑢𝑠𝑖𝑜𝑛 𝑃𝑟𝑒𝑐𝑖𝑝𝑖𝑡𝑎𝑡𝑖𝑜𝑛." 𝐴𝑑𝑣𝑎𝑛𝑐𝑒𝑑 𝑀𝑎𝑡𝑒𝑟𝑖𝑎𝑙𝑠, 2025 https://lnkd.in/eian6kVx

  • View profile for Anik Jain

    Founder of DZ!NR || Designed logos for 200+ clients || 400k+ On Instagram || Favikon Top #1 in Brand and Graphic Design || TEDx Speaker

    143,972 followers

    This is exactly how we meet client expectations at DZ!NR. I see so many designers struggling to give clients what they want. They get stuck with endless revisions because clients keep rejecting concepts. After all, they feel, “It’s just not what I had in mind.” It happened to me too while I was starting. But over time, I have figured out how to go about it. Here’s a process that works for us: → The discovery call - This is where we know who they are trying to reach. → Brand strategy - Before even beginning a single sketch, we outline what the brand stands for. We understand the mission, values, positioning and tone of voice. → Moodboard and visual direction - At this step, we define the brand’s personality, colors, fonts, textures, etc.   → Logo design - We start with rough sketches and explore concepts that align with the brand’s essence. → Final edit and presentation - Once the design is polished, we present the brand identity as a whole. We explain why the design works, how it aligns with the strategy and how it will help them connect with their audience. This process will help you in understanding what the client needs and when you have mastered that, you will see your revisions will cut down by half in no time. What’s your biggest challenge when it comes to designing brand identities? #graphicdesign

  • View profile for Wafi Taghleb SM

    Founder of WT Arch & Design, I help architects, interior designers, and clients elevate their projects with AI-driven design and photorealistic 3D visuals for maximum impact. +5 Millions Impressions in 2 Years

    28,554 followers

    Day 636-Most modern homes are fighting the climate. Old architecture learned how to work with it. Look at this space carefully. No massive glass facades. No visual noise. No “luxury” screaming for attention. Yet the feeling is calm, warm, breathable, and deeply human. That’s because traditional desert and Mediterranean architecture understood something many modern projects forgot: Architecture is not decoration. It is environmental intelligence. Before HVAC systems, architects had to design for survival. And surprisingly… many of those principles are now returning through what we call: Passive Design (التصميم السلبي) Bioclimatic Architecture (العمارة المناخية) Thermal Comfort (الراحة الحرارية) Human-Centered Design (التصميم المتمحور حول الإنسان) This image quietly demonstrates several timeless lessons: • Courtyard Planning The inner courtyard creates privacy, airflow, shaded living, and emotional calm simultaneously. • Soft Natural Materials Stone, lime plaster, wood, and textured fabrics absorb light differently than glossy modern finishes. The result? Spaces feel psychologically warmer. • Controlled Light Notice how shadows move naturally across the walls. Traditional architecture treated sunlight like a design material not just illumination. • Transitional Spaces Semi-open areas between inside and outside reduce thermal shock and create spatial rhythm. • Nature Integration Water, trees, shadows, breeze… these are not accessories. They are part of the architectural system itself. Research in Environmental Psychology shows that humans respond positively to spaces with natural texture, filtered light, organic materials, and visual calm. Not because it looks “Instagrammable.” Because the nervous system recognizes it as safe. The future of luxury architecture may not be more technology. It may be rediscovering wisdom we already had. The best architecture doesn’t shout. It regulates temperature. Frames light. Slows the mind. And makes people feel grounded. That is timeless design. #Architecture #InteriorDesign #PassiveDesign #MediterraneanArchitecture #ArchitectureThatListens #ReviveAndResist

  • View profile for Lisa Cain

    Transformative Packaging | Sustainability | Design | Innovation | BP&O Author

    48,174 followers

    Tales From The Shelf. Most packaging starts spinning a yarn before a single word is read. Shape, colour and illustration frame the product long before anyone checks the label. People read those signals instinctively to decide what something is, where it comes from and whether it belongs in their basket. Storytelling sits inside packaging more than we notice. It shapes how products are recognised and remembered, often through design alone. Illustration, typography and layout carry that load. When they're handled with care, a product gains clarity and presence. The pack speaks through what it shows and how it holds together. Haterk Honey is a good example. The black and white illustrations move through forests, meadows and mountains, echoing where the honey comes from and how it's made. The drawings are restrained and sit naturally against the deep golden colour in the jar. Line a few jars up and the illustrations connect across the shelf. Separate labels start reading as one continuous landscape. You recognise the system before you read the name. That consistency gives the product a stable visual anchor, something a shopper can recognise and return to without thinking. The black and white honey with the drawn hills is easier to retrieve than a blur of similar yellow labels. Well‑constructed narratives on pack also narrow the gap between marketing claims and real attributes. When illustration is anchored in origin, process or values, it gives context to mandatory details like variety, region and certification instead of floating beside them. A front panel that signals mountain honey from mixed wildflower sources through image and composition carries more weight than three extra lines of copy fighting for space on the back. Most people remember the landscape, not the label. 📷Backbone Branding

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  • View profile for Harpreet S.
    Harpreet S. Harpreet S. is an Influencer
    76,386 followers

    I got a chance to have a (virtual) sit-down Q&A session with Lukas Höllein about his paper ViewDiff: 3D-Consistent Image Generation with Text-to-Image Models, one of the accepted forpapers CVPR 2024. His paper introduces ViewDiff, a method that leverages pretrained text-to-image models to generate high-quality, multi-view consistent images of 3D objects in realistic surroundings by integrating 3D volume-rendering and cross-frame-attention layers into a U-Net architecture. Lukas discusses the challenges of training 3D models, the innovative integration of 3D components into a U-Net architecture, and the potential for democratizing 3D content creation. Hope you enjoy it! Harpreet: Could you briefly overview your paper's central hypothesis and the problem it addresses? How does this problem impact the broader field of deep learning? Lukas: Pretrained text-to-image models are powerful because they are trained on billions of text-image pairs. In contrast, 3D deep learning is largely bottlenecked by much smaller datasets. Training models on 3D datasets will reach a different quality and diversity than we have nowadays in 2D. This paper shows how to bridge this gap: we take a model trained on 2D data and only finetune it on 3D data. This allows us to keep around the expressiveness of the existing model but translate it into 3D. Harpreet: Your paper introduces a method that leverages pretrained text-to-image models as a prior, integrating 3D volume-rendering and cross-frame-attention layers into each block of the existing U-Net network. What are the key innovations of this technique, and how does it improve upon existing methods? Lukas: The key innovation shows how we can utilize the text-to-image model and still produce multi-view consistent images. Earlier 3D generative methods: create some 3D representation and render images from it. Integrating a text-to-image model into this pipeline is problematic because it operates on different modalities (images vs. 3D). In contrast, we keep around the 2D U-Net architecture and only add 3D components. By design, this allows the creation of consistent 3D images. Our output is *not* a 3D representation but multi-view consistent images (that can be turned into such a representation later). Continued in comments 👇🏼 #cvpr #computervision #artificialintelligence #deeplearning

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